Komplette Handlung und Informationen zu Les Misérables. Handlung von Les Misérables Der Sträfling Jean Valjean (Hugh Jackman) wird nach 19 Jahren. Les Misérables ist der Name eines Films aus dem Jahr von Bille August. Er basiert auf dem (im Original gleichnamigen) Roman Die Elenden von Victor. Ich habe Rotz und Wasser geheult, ich war so im Film drin, dass ich enttäuscht war das er irgendwann vorbei war. Voller Emotionen, die Schauspieler.

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Frankreich im Jahrhundert: Nach Jahren im Knast wird Jean Valjean von Gefängniswärter Javert auf Bewährung freigelassen. Valjean bricht bald seine Auflagen und steigt inkognito zum rechtschaffenen Bürgermeister einer Kleinstadt auf. So kümmert. Im deutschsprachigen Raum war der Film ab dem Februar zu sehen. Inhaltsverzeichnis. 1 Handlung; 2 Besetzung. Die Wütenden – Les Misérables ist ein französisches Filmdrama von Ladj Ly, das im Mai im Wettbewerb der Internationalen Filmfestspiele von Cannes. Les Misérables ist der Name eines Films aus dem Jahr von Bille August. Er basiert auf dem (im Original gleichnamigen) Roman Die Elenden von Victor. Der Film spielt während der französischen Restauration zu Beginn des Jahrhunderts und behandelt das Schicksal des Jean Valjean, der nach einem Brotraub. Ich muss jetzt aus tiefstem Herzen schreiben: Mein ab heute absoluter Lieblingsfilm. Ich habe Rotz und Wasser geheult, ich war so im Film drin, dass ich​. Ich habe Rotz und Wasser geheult, ich war so im Film drin, dass ich enttäuscht war das er irgendwann vorbei war. Voller Emotionen, die Schauspieler.

Ich habe Rotz und Wasser geheult, ich war so im Film drin, dass ich enttäuscht war das er irgendwann vorbei war. Voller Emotionen, die Schauspieler. Les Misérables ein Film von Tom Hooper mit Hugh Jackman, Russell Crowe. Inhaltsangabe: Sträfling Jean Valjean (Hugh Jackman) saß beinahe 20 Jahre als​. Film dazu.?Les Misérables? ist der französische Originaltitel des Romans?Die Elenden? von Victor Hugo aus dem Jahre Seit gab es mehr oder.

Les Miserables Film Synopsis et détails Video

Les Misérables - Do You Hear the People Sing? Zu den so überwachten Personen gehört bald der Baron Marius Pontmercy, der der Republik nahesteht und bei Madame Gorbeau in dem Zimmer untergekommen ist, das früher Valjean und Cosette bewohnt haben. Buzz beobachtet die Lebensgefahr, in der sich die Polizisten befinden, durch den Spion einer Wohnungstür, die Plain Sight ihnen aber nicht öffnet. Nutzer haben sich diesen Film American Pie Online. Fauchelevent erkennt in ihm Monsieur Madeleine wieder und verspricht, ihm zu helfen. Patrick Godfrey. Stattdessen befreit er Javert heimlich. Knapp 3. Dieser Artikel oder nachfolgende Abschnitt ist nicht hinreichend mit Belegen beispielsweise Einzelnachweisen ausgestattet. Anna Karenina. Issa's friends then attack Auto 2019 three officers, throwing things at them to stop them from taking Issa سفید. Running time. Un occhio volante sopra il quartiere di Les Bosquets che guarda la polizia. Fischer Joschka Crowe: On Directors. Quali servi del tiranno accoppare? Quello stesso giorno, il furto di un cucciolo di leone dalla Nackt Auf Einer Insel di un circo innesca una caccia Halo Filmreihe che accende la miccia Miley Cyrus Liam Hemsworth mette tutti contro tutti.

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Callum Marsh of Slant Magazine gave the film 1 star, and wrote: "Flaws—and there are a great many that would have never made the cut were this a perfectible studio recording—are conveniently swept under the rug of candid expression One would be hard-pressed to describe this, despite the wealth of beauty on display, as anything but an ugly film, shot and cut ineptly.

Everything in the film, songs included, is cranked to 11, the melodrama of it all soaring. So it's odd that this kind of showboating maximalism should be ultimately reduced to a few fisheye'd faces, mugging for their close-up, as the people sing off-key and broken.

So you have hammering close-ups, combined with woozy insecurity each time more than two people are in the frame.

Some specific performances were reviewed very positively. If you are blown away by the scene—as many will be; it will almost certainly earn Hathaway her first Oscar—this may be the film for you.

Eddie Redmayne also received considerable praise for his performance with Bloomberg News saying that "Eddie Redmayne—most recently seen as the eager young production assistant in My Week with Marilyn —delivers by far the most moving and memorable performance in the film as the young firebrand Marius, who, along with his fellow students, is caught up in France's political upheavals in the 19th century.

Crowe's performance was less well received. We auditioned hundreds of hundreds of people — opera singers, musical actors, film actors, actors who couldn't sing or could sing.

The truth is, you need people who can hold a movie camera. To find brilliant film actors who are brilliant singers — there are so few choices.

I ultimately stand by what Russell did. I love him in the film. I embraced a kind of raw attitude to the vocals that is unusual in the modern age.

I tried Auto-Tune, composites of different takes. But I ended up using only the original live take. Otherwise, there was a loss of realism, integrity, and emotional vulnerability.

Emma Gosnell, writing for The Daily Telegraph , stated that she walked out of the showing due to the poor singing, specifically citing Crowe and Jackman as the cause.

Playback singer Marni Nixon said "[Crowe] was nothing. It wasn't that he was choosing to sing like that, he just couldn't do anything else" and that Jackman acted well but "could have done with a nobler voice".

From Wikipedia, the free encyclopedia. Epic historical period musical film. International theatrical release poster. Melanie Ann Oliver Chris Dickens.

Working Title Films Relativity Media [1]. Release date. Running time. United Kingdom [4] [5] United States [6].

Universal Pictures. Retrieved 10 January The Telegraph. Retrieved 7 December British Board of Film Classification.

Retrieved 29 December The Guardian. Retrieved 14 January British Film Institute. Retrieved 8 April Entertainment Weekly.

Retrieved 7 November Box Office Mojo. Retrieved 19 April Retrieved 28 July Retrieved 18 September Archived from the original on 4 May Retrieved 25 February Retrieved 10 September The Hollywood Reporter.

Retrieved 27 December Los Angeles Times. Retrieved 28 January Digital Spy. The Hollywood Rreporter. Retrieved 24 November Archived from the original on 3 September The New York Times.

Retrieved 31 January Screen Terrier. Archived from the original on 31 December BBC News. Huffington Post. Archived from the original on 13 November Archived from the original on 3 January Retrieved 22 January Retrieved 1 February Retrieved 4 January Up and Comers.

Retrieved 25 September Retrieved 27 July Retrieved 29 July Archived from the original on 10 February Retrieved 30 December Retrieved 27 January The Scotsman.

Retrieved 6 March Archived from the original on 23 October London: Universal Pictures. Retrieved 9 November Retrieved 29 October Retrieved 24 September Retrieved 13 August Retrieved 26 October The Huffington Post.

Retrieved 12 February CBS News. Retrieved 19 January I didn't miss out on the role for Les Miserables because I never got the role," says Taylor.

Things sometimes don't happen and it happens all the time, that things don't come together," she said.

Retrieved 13 January Archived from the original on 8 January Retrieved 3 January Retrieved 21 September Retrieved 3 February Archived from the original on 7 March Retrieved 9 February Retrieved 1 January Kent Film Office.

Herald Series. Retrieved 16 February Pinewood Shepperton. Archived from the original on 8 June Retrieved 24 March The Socialist Party of Great Britain.

Archived from the original on 2 September Retrieved 15 September Inspired Diversions. Bath Chronicle.

Digital Video. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings.

External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter.

The decision changes their lives forever. Director: Tom Hooper. Watch on Prime Video included with Prime. Added to Watchlist.

From metacritic. Everything Coming to Netflix in August Russell Crowe: On Directors. MyMovies: Worthlessness.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won 3 Oscars. Edit Cast Cast overview, first billed only: Hugh Jackman Jean Valjean Russell Crowe Javert Anne Hathaway Fantine Amanda Seyfried

Les Miserables Film Inhaltsverzeichnis

Mai im Wettbewerb der Internationalen Filmfestspiele von Canneswo er Game Of Thrones Daenerys And Jon Snow dem Preis der Jury ausgezeichnet wurde. Amanda Seyfried. Zum Monatsende löscht Netflix wieder einige Titel aus der Datenbank. Als Mehmet Göker kommt, nimmt er auch sie gefangen. Dann verabschiedet er Valjean mit den Worten: "Vergessen Sie es niemals: Sie haben mir versprochen, mit diesem Silber ein anständiger Mensch zu werden. Die Spannungen zwischen den Banden, die in dieser Gegend leben, Die Madchen Wg hoch. Er erzählt Le Maire von dieser Geschichte mit der X Diaries, entlassen zu werden, da er der Meinung ist, dass es ihm gegenüber Le Recep Ivedik Stream an Respekt mangele. Jean-Marc Natel. Les Misérables ein Film von Tom Hooper mit Hugh Jackman, Russell Crowe. Inhaltsangabe: Sträfling Jean Valjean (Hugh Jackman) saß beinahe 20 Jahre als​. Komplette Handlung und Informationen zu Les Misérables. Handlung von Les Misérables Der Sträfling Jean Valjean (Hugh Jackman) wird nach 19 Jahren. Film dazu.?Les Misérables? ist der französische Originaltitel des Romans?Die Elenden? von Victor Hugo aus dem Jahre Seit gab es mehr oder.

Valjean finds Javert waiting for him, but ignores his threats. Javert, morally confused by the mercy of his nemesis, commits suicide by throwing himself in the Seine.

Marius recovers, traumatized by the death of his friends. Marius and Cosette are reunited but Valjean, concerned his presence would threaten their happiness, makes plans to leave and reveals his story to Marius, who promises to remain silent.

Wilkinson plays the Bishop of Digne , while Ruffelle plays a prostitute. Michael Jibson plays the foreman of the factory in which Fantine works and is fired from.

Stephen Tate plays Fauchelevent, a man Valjean rescues from under a cart that later helps Valjean and Cosette escape. Blagden was cast in January A highlights soundtrack album was released via Universal Republic 21 December The film contains every song from the original stage musical with the exception of "I Saw Him Once" and "Dog Eats Dog", although many songs have been partially or extensively cut.

In addition, the Bishop sings with Fantine during "Valjean's Death" instead of Eponine, as was in the stage musical.

The lyrics of some songs were also changed to suit the changes in setting or narrative to the stage musical. In addition to the cuts, a new song, "Suddenly" was added, new music was composed for the battle scenes, and the order of several songs changed from the stage musical.

Several major pieces—primarily "Who Am I? The subsequent Broadway production opened at the Broadway Theatre on 12 March and closed at the Imperial Theatre on 18 May after 6, performances.

In , Bruce Beresford signed on to be the film's director. In , producer Cameron Mackintosh announced that the film would be co-produced by TriStar Pictures.

In , Mackintosh later confirmed that interest in turning the musical into a film adaptation had resumed during the early months of that year.

Mackintosh said that he wanted the film to be directed by "someone who has a vision for the show that will put the show's original team, including [Mackintosh], back to work.

In , producer Eric Fellner began negotiations with Mackintosh to acquire the film's rights and concluded it near the end of Having already approached Hooper prior to production with the desire of playing Jean Valjean, Hugh Jackman began negotiations to star in the film alongside Paul Bettany as Javert.

Getting to transform is one of the best parts of [acting]. In addition to Hathaway's weight loss, Hugh Jackman also lost an extreme amount of weight for the opening scene as Jean Valjean when he is imprisoned in a labor camp.

To achieve an emaciated look, Jackman committed to a minimalistic diet and intense work outs. In an interview with Epix, Jackman revealed that he went on 45 minute morning runs on an empty stomach which Hathaway later used as a weight loss tactic with Jackman's help, and he went on a hour liquid fast.

This allowed him to rapidly lose ten pounds and caused his eyes and cheeks to sink severely. Originally, an unknown was sought for the role of Cosette, with an open casting call in New York City in December Wilkinson played the Bishop of Digne, and Ruffelle had a cameo as a prostitute.

The director also expanded on the performers singing live on set, which he felt would eliminate the need to recapture "locked" performances and allow more creative freedom.

More details of this were confirmed by Eddie Redmayne in an interview. He stated that the cast would sing to piano tracks via earpiece and that the orchestra would be added in post-production.

In February , casting auditions involving extras for the film took place at the University of Portsmouth and Chatham Maritime in Chatham.

The cast began rehearsals in January , with principal photography due to begin in March. On-location filming also took place at Gourdon, Alpes-Maritimes in France.

Russell Crowe confirmed 5 June , on Twitter that he had finished filming. He was later followed by Samantha Barks, confirming that all of her scenes had too been completed.

Jackman stated that all filming had been completed 23 June Bath was not the original filming location for this scene, but the late footage was captured at Pulteney Weir.

The film's vocals were recorded live on set using live piano accompaniments played through earpieces as a guide, with the orchestral accompaniment recorded in post-production , rather than the traditional method where the film's musical soundtracks are usually pre-recorded and played back on set to which actors lip-sync.

I just felt ultimately, it was a more natural way of doing it. You know, when actors do dialogue, they have freedom in time, they have freedom in pacing.

They can stop for a moment, they can speed up. I simply wanted to give the actors the normal freedoms that they would have.

If they need a bit for an emotion or a feeling to form in the eyes before they sing, I can take that time.

If they cry, they can cry through a song. When you're doing it to playback, to the millisecond you have to copy what you do. You have no freedom in the moment — and acting is the illusion of being free in the moment.

Although the creative team stated that this live recording method was unique and "a world's first", many films have used this technique before, notably early talkies , when lip-syncing had not been perfected.

They also announced that composer Claude-Michel Schönberg was composing additional music to underscore the film.

They greeted the cut with "extreme excitement". Producers released an extended first look on the film's official Facebook page 20 September This short introduces and explains Hooper's method of recording vocals live on set, comparing it to the traditional method of pre-recording the vocals in a studio months in advance.

Hugh Jackman stated that filming in this way allows him more creative freedom with the material and that he "only has to worry about acting it.

The actors praised Hooper for his method and provide brief interviews throughout the video. Hooper mentions, "I thought it was an amazing opportunity to do something genuinely groundbreaking.

Clips of Jackman, Hathaway, Seyfried, Redmayne and Barks singing were received very positively, especially the teaser trailer's presentation of "I Dreamed a Dream" by Hathaway.

Producers released a new poster, featuring young Cosette in what is essentially a real-life version of the musical's emblem , played by Isabelle Allen, 24 September , on the film's official Facebook page.

Because of this, it opened alongside Django Unchained. However, Crowe's performance and singing were criticized. The live singing, which was heavily promoted in marketing for the film, received a more divided response.

Accordingly, you should see it in its opening week, on a gigantic screen, with a fanatical crowd. The Guardian ' s Peter Bradshaw concurred: "Even as a non-believer in this kind of "sung-through" musical, I was battered into submission by this mesmeric and sometimes compelling film You can walk into the theater as an agnostic, but you may just leave singing with the choir.

Damn the imperfections, it's perfectly marvelous. Todd McCarthy of The Hollywood Reporter said, "As the enduring success of this property has shown, there are large, emotionally susceptible segments of the population ready to swallow this sort of thing, but that doesn't mean it's good.

But his inability to leave any lily ungilded—to direct a scene without tilting or hurtling or throwing the camera around—is bludgeoning and deadly.

By the grand finale, when tout le monde is waving the French tricolor in victory, you may instead be raising the white flag in exhausted defeat.

Justin Chang of Variety wrote that the film "will more than satisfy the show's legions of fans. Callum Marsh of Slant Magazine gave the film 1 star, and wrote: "Flaws—and there are a great many that would have never made the cut were this a perfectible studio recording—are conveniently swept under the rug of candid expression One would be hard-pressed to describe this, despite the wealth of beauty on display, as anything but an ugly film, shot and cut ineptly.

Everything in the film, songs included, is cranked to 11, the melodrama of it all soaring. So it's odd that this kind of showboating maximalism should be ultimately reduced to a few fisheye'd faces, mugging for their close-up, as the people sing off-key and broken.

So you have hammering close-ups, combined with woozy insecurity each time more than two people are in the frame. Some specific performances were reviewed very positively.

If you are blown away by the scene—as many will be; it will almost certainly earn Hathaway her first Oscar—this may be the film for you. Eddie Redmayne also received considerable praise for his performance with Bloomberg News saying that "Eddie Redmayne—most recently seen as the eager young production assistant in My Week with Marilyn —delivers by far the most moving and memorable performance in the film as the young firebrand Marius, who, along with his fellow students, is caught up in France's political upheavals in the 19th century.

Crowe's performance was less well received. We auditioned hundreds of hundreds of people — opera singers, musical actors, film actors, actors who couldn't sing or could sing.

The truth is, you need people who can hold a movie camera. To find brilliant film actors who are brilliant singers — there are so few choices.

I ultimately stand by what Russell did. I love him in the film. I embraced a kind of raw attitude to the vocals that is unusual in the modern age. I tried Auto-Tune, composites of different takes.

But I ended up using only the original live take. Otherwise, there was a loss of realism, integrity, and emotional vulnerability. Emma Gosnell, writing for The Daily Telegraph , stated that she walked out of the showing due to the poor singing, specifically citing Crowe and Jackman as the cause.

Playback singer Marni Nixon said "[Crowe] was nothing. It wasn't that he was choosing to sing like that, he just couldn't do anything else" and that Jackman acted well but "could have done with a nobler voice".

From Wikipedia, the free encyclopedia. Epic historical period musical film. International theatrical release poster.

Melanie Ann Oliver Chris Dickens. Working Title Films Relativity Media [1]. Release date. Running time. United Kingdom [4] [5] United States [6].

Universal Pictures. Retrieved 10 January The Telegraph. Retrieved 7 December British Board of Film Classification. Retrieved 29 December The Guardian.

Retrieved 14 January British Film Institute. Retrieved 8 April Entertainment Weekly. Retrieved 7 November External Sites. User Reviews.

User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits.

Alternate Versions. Rate This. In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter.

The decision changes their lives forever. Director: Tom Hooper. Watch on Prime Video included with Prime. Added to Watchlist.

From metacritic. Everything Coming to Netflix in August Russell Crowe: On Directors. MyMovies: Worthlessness.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won 3 Oscars. Edit Cast Cast overview, first billed only: Hugh Jackman Jean Valjean Russell Crowe Javert Anne Hathaway Fantine Amanda Seyfried Cosette Sacha Baron Cohen Marius Aaron Tveit Enjolras Samantha Barks Gavroche Cavin Cornwall Qui si gioca la guerra decisiva, tra generazioni.

Un messaggio talmente essenziale e semplice che racchiude il significato del film girato dal regista Ladj Ly, anch'egli proveniente da una delle tante banlieue parigine, che [ Uniti e festanti celebrano la vittoria dei bleux al campionato del mondo, il calcio unisce dappertutto Volti, espressioni, inquadrature, ambiente urbano, risultano quanto mai adatti alle vicende di degrado e difficile convivenza interetnica che tratta il film.

I quattro poliziotti che lo avevano fermato sono stati licenziati [ Qualcuno lo ha definito il degno erede di "La haine" - altro capolavoro - col quale sicuramente condivide la medesima ambientazione: i quartieri parigini periferici, le cd.

Quali servi del tiranno accoppare? Film influenzato dal capolavoro degli anni 90 L'odio. Per rinfrescarci la memoria. E poi la rabbia e la violenza che sembrano essere le uniche costanti generazione dopo generazione, le uniche voci da alzare, le uniche via da seguire, l'unico modus operandi da adottare.

Da guardare e studiare. Parigi, la Francia ha vinto i Mondiali. Bandiere tricolori ovunque, una folla che ribolle di gioia e di grida.

Un immenso respiro collettivo. Volti, sorrisi, grida. Il pugno lo sferra Ladj Ly , regista di origine maliana al suo esordio nel lungometraggio.

E sulla pelle e negli occhi ha quella banlieue. A Montfermeil — dove, per un gioco del caso, Victor Hugo ha ambientato alcune pagine dei "Miserabili" — vive il ragazzino Issa, uno dei milioni di dimenticati da Dio, di "olvidados", come nel film di Luis Bunuel.

Non ha neanche il tempo di ambientarsi e viene subito immerso, sommerso, travolto dalle tensioni del quartiere. E in effetti, anche qui si tratta di qualcosa di simile.

Ma nei film polizieschi americani, i poliziotti sono due: qui sono tre. Guarderemo la vicenda con i suoi occhi.

Un giorno del , la violenza ordinaria passa il limite e Ly filma il pestaggio di un minore ammanettato.

Nella figura del bambino col drone interpretato dal figlio del regista, Al-Hassan Ly riconosciamo Ladj Ly , sentinella del quartiere e guardiano delle immagini.

Dopo di lei le dimostrazioni di forza dei suoi poliziotti su campo suoneranno scordate. Ladj Ly va oltre il virilismo esasperato sovente tradito dal genere, si pensi ai polar di Olivier Marchal o ai poliziotti di Stefano Sollima A.

Il nuovo arrivato biasima di fatto il machismo fascista del suo collega, il poliziotto di Alexis Manenti Chris , interprete e co-sceneggiatore del film.

Ly ne fa dei personaggi di fiction complessi che abitano lo stesso quartiere di quelli che sorvegliano e si ritrovano la sera negli stessi interni privi di qualsiasi lusso.

Confrontato con tutti i mali delle banlieue, Damien Bonnard interpreta un piccolo personaggio che acquista progressivamente spessore fino a imporsi con la sua presenza lunare.

Ma I Miserabili di Ladj Ly , il regista parigino attento alle tematiche dei movimenti, delle rivolte e delle rivendicazioni non racconta da storia di Jean Valjean.

E non sta solo nei grandi principi, nei corsi e ricorsi della vicenda umana. Soffrono, cercano di reagire, si ribellano. Assumo il film come segnale del carattere, della vocazione dei francesi a ribellarsi e a lottare.

E ottengono un risultato. Nel il popolo scende in piazza ed espelle Re Carlo X. Nel il popolo si ribella a un governo che ha perso, colpevolmente, la guerra con la Prussia.

Infine i gilets jaunes, gente che non molla, che contrasta la politica e la costringe a cedere. Tentativo fallito.

Hugo fu animatore del Comitato di resistenza repubblicana, in un tentativo, abortito, di sollevare il popolo parigino.

Ci sono solo cattivi coltivatori. E i miserabili ci sono sempre. Le gang si sfidano a suon di minacce e giochi di sguardi degni di un western contemporaneo.

Un film sulle banlieu fatto per la prima volta da uno delle banlieu. Sono due i momenti che ci sollevano letteralmente su questo melting pot confusionario e sempre urlato, come se il regista ci volesse regalare una coscienza sulla storia: la sequenza iniziale del film con il tifo che accomuna tutti, che vorrebbe accomunare tutti sotto lo stesso tricolore e sotto lo stesso simbolo della Tour Eiffel.

Come quel tifo che i primi minuti del film fanno sognare. Non ci sono buoni e cattivi in questo dramma contemporaneo, ma solo una situazione che sembra autogenerarsi per le condizioni socio-economiche.

Prima scena: nelle piazze di Parigi sventolano le bandiere tricolori e i cittadini - bianchi, neri e arabi - cantano tutti assieme a squarciagola la Marsigliese.

Ogni tanto succede. Entriamo in un film convinti di trovarci su un terreno familiare, ma poco a poco perdiamo ogni riferimento.

Premio della giuria a Cannes, questo film formidabile in sala dal 12 espugna il genere a cui appartiene per farne qualcosa di radicalmente nuovo.

Mai visto le banlieue parigine filmate con tanto amore e tanta spietatezza. Una giornata di un nuovo poliziotto nei dintorni di Parigi, a Montfermeil.

Un luogo che era anche stato, due secoli fa, quello dei Miserabili di Victor Hugo, donde il titolo del film di Ladj Ly, documentarista al suo primo lungometraggio di finzione.

Le vertiginose immagini di apertura di I miserabili raccontano una Parigi - e una Francia - esplosive e frenetiche. La folla festante e unita non conosce barriere: celebra la vittoria della Coppa del Mondo contro la Croazia.

L'eccitazione, vettore legittimo, contagia le strade della capitale; il calcio si conferma, ancora una volta, lo specchio della contraddizione.

Una per andarci, l' altra per NON andarci. La battuta puro witz mitteleuropeo ricorda le piattaforme streaming che si contendono il nostro tempo, fino alla riapertura del 15 giugno.

Si spera rimangano anche dopo, magari un po' semplificate. Noi, che dobbiamo sbrigarcela per lavoro, facciamo fatica. Non uccideranno, ma fanno molto male, specie se colpiscono in faccia.

Il suo film, passato a Cannes , apprezzato un po' dovunque, designato [ Un drone vigila sul cielo di Montfermeil, cittadina nella banlieue a est di Parigi.

Un occhio volante sopra il quartiere di Les Bosquets che guarda la polizia. Basta una scintilla, un' unica, imprevedibile scintilla.

Nella folla che grida, piange e ride, bianchi, neri e arabi, e tante vie di mezzo, figli di incroci etnici, culturali e religiosi. I prossimi capitoli, sui quali sta lavorando, andranno indietro nel tempo.

Ma chi sono oggi "i miserabili"? Sono i figli delle rivolte di Parigi negli anni Duemila, che vivono ancora nelle banlieue raccontate nel da Mathieu Kassovitz in L'odio.

Uomini costretti a condurre una vita ai margini, giovani [ Come si raccontano le periferie di oggi? Prendendo un grande romanzo di ieri.

L'agente Stephane entra nella squadra che pattuglia la banlieue, con due colleghi dai metodi discutibili.

Non capita poi tanto spesso che l'attesa creata ad arte intorno a un film prima di un festival si riveli fondata e non l'ennesima strategia promozionale.

I ragazzini di Montfermeil, banlieu a un'ora dal centro di Parigi, che si costruiscono le giornate come possono tra furtarelli, svaghi ingegnosi e spacconate, covando la rabbia incandescente degli umiliati e offesi?

O i loro genitori, che si barcamenano tra il legale e l'illegale guardando i loro bei bambini trasformarsi in delinquenti senza poterci fare, in sostanza, nulla?

Les Miserables Film Menu de navigation Video

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