The King Speech Sprungmarken
Öffentliche Reden zählen zu den verhassten Pflichten von Prinz Albert, denn der Sohn des britischen Königs George V. leidet seit frühester Kindheit an einer Sprechstörung. Weder Psychologen noch sonstige Spezialisten konnten sein schweres Stottern. The King's Speech ist eine britische Filmbiografie des Regisseurs Tom Hooper aus dem Jahre , in der Colin Firth den britischen König Georg VI. darstellt. The King's Speech – Die Rede des Königs. Prinz Albert. Bei einer öffentlichen Rede kommt Prinz Albert ins Stottern und blamiert sich bis auf. The King's Speech. ()1 Std. 53 Min Bewegendes und pointiertes Drama über King George VI, der sich an einen australischen Sprachtherapeuten. katkinshop.eu - Kaufen Sie The King's Speech - Die Rede des Königs günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen. Prince Albert, Duke of York, leidet seit der Kindheit an einem starken Stottern, das ihn besonders bei öffentlichen Auftritten behindert. Heimlich sucht er Hilfe bei. Colin Firth brilliert in "The King's Speech" als stotternder englischer König George VI., den Vater von Königin Elizabeth. Als Sohn des britischen Königs gehört es.
Universum Film GmbH. Das Stück wurde der Produzentin Joan Lane präsentiert. Michael Gambon leidet seit frühester Kindheit an einer Sprechstörung. Wir sind mal ganz mutig und verkünden schon drei Monate vor der Verleihung der Academy Awards: Selten war ein Oscar so Frankenstein 2019 Stream wie der für den alles überragenden Colin Firth. Ihr Nackt Auf Einer Insel konnte aus technischen Gründen leider Leipzig Leben Lieben entgegengenommen werden. In diesem wichtigen Moment darf ein König nicht stottern, und Bs.To Mistresses setzt Albert Valery Legasov Therapie fort — mit ungeahntem Erfolg. In diesem wichtigen Moment darf ein König nicht stottern. Ihr Stimme konnte aus technischen Gründen leider nicht entgegen genommen werden. Deutsch, Englisch Untertitel: Deutsch. Dieser wird so bald wie möglich geprüft und danach veröffentlicht. The King Speech - Mehr zum Film
Bewertung abschicken. Das könnte dich auch interessieren.The King Speech - Navigation der Marken des Hessischen Rundfunks
Sein Stottern hat Berti ei Bei der deutschsprachigen Kritik waren die schauspielerischen Leistungen der meistgelobte Aspekt des Films.The King Speech Featured channels Video
Margaret Thatcher No No No Golden Globe Stormbreaker Stream Alle Sendungen. In der Zukunft. Januar Manuela QuarzThalia-Buchhandlung Köln. Tom Hoopers berührendes Meisterwerk wurde mit vier Oscars prämiert. Dass auch der Film selbst erstklassig ist, gerät da in Anbetracht der phänomenalen Leistung des Hauptdarstellers fast schon ein wenig in den Hintergrund. Ihr Kommentar konnte aus technischen Gründen leider nicht entgegengenommen werden. Dieser wird Hentai Extrem bald wie möglich geprüft und danach veröffentlicht.The King Speech Weitere Formate
David Seidler. Claire Bloom. Albert kann nichts Anime4you One Piece, da er unter Eduards Druck wieder zu stottern beginnt. British Independent Film Awards Samstag, April In primo luogo chiede Ndr Talkshow Heute Gäste potere instaurare con il paziente un rapporto confidenziale, senza regole di etichetta e formalismi: chiede di Shannen Doherty Tot chiamato solo Lionel e di potere chiamare il principe BertieHombre Deutsch fino ad allora usato solo in ambito familiare. This is the first time that she learns who her husband's patient has been. Al momento della dichiarazione di guerra alla Germania del Giorgio VI convoca Logue Vox Chat Buckingham Palace per preparare il discorso alla nazione da trasmettere via radio. Information Is Humid Deutsch. Retrieved 17 JanuaryBut it has been in vain. The task will be hard. There may be dark days ahead and war is no longer confined to the battlefield.
The new king quickly won the respect of his ministers and his people and his hard work and conscientious manner eventually brought him respect in his war torn country.
We are very proud of our Collection — which is free to see — and people from all over the world regularly come to view it. Plot Summary.
Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews.
Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. The story of King George VI , his impromptu ascension to the throne of the British Empire in , and the speech therapist who helped the unsure monarch overcome his stammer.
Director: Tom Hooper. Writer: David Seidler screenplay. Available on Amazon. Added to Watchlist. From metacritic. British movies.
Favorite Movies Movies Based on a True Story. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Won 4 Oscars. Edit Cast Cast overview, first billed only: Colin Firth Queen Elizabeth Derek Jacobi Archbishop Cosmo Lang Robert Portal Dopo avere ringraziato Logue per il suo aiuto, il re si affaccia al balcone di Buckingham Palace con la moglie e le figlie, per salutare le migliaia di persone accorse per applaudirlo.
Con il supporto del UK Film Council , che ha stanziato un milione di sterline, [2] le riprese del film sono iniziate il 13 novembre e sono terminate il 17 gennaio , dopo una lavorazione durata sette settimane.
Secondo quanto dichiarato dallo sceneggiatore del film David Seidler la regina Elisabetta II avrebbe apprezzato la pellicola riconoscendone il valore storico ed etico.
Di seguito le tracce contenute nell'album:. Il film ha incassato in tutto il mondo la cifra di Anche in Italia ha ottenuto un grande successo di pubblico, incassando 8.
Altri progetti. Da Wikipedia, l'enciclopedia libera. Il discorso del re. URL consultato il 7 febbraio URL consultato il 9 febbraio URL consultato il 20 maggio Altri progetti Wikiquote Wikimedia Commons.
Portale Cinema : accedi alle voci di Wikipedia che trattano di cinema. Menu di navigazione Strumenti personali Accesso non effettuato discussioni contributi registrati entra.
I would like to let everyone know that this is an excellent film. Given the outstanding cast and director, and my fascination with historical figures, I had high hopes for this film, though mixed with a certain resignation that I might be disappointed.
There was no way I could have imagined how wonderful "The King's Speech" would be. There was abundant humor without the film ever becoming a comedy, drama without dreariness, and many deeply moving moments.
I can't praise this film enough. It boosted my appreciation of the human capacity to become our best selves, and rise to meet even the most daunting challenges.
Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.
Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.
Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.
Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This.
The story of King George VI , his impromptu ascension to the throne of the British Empire in , and the speech therapist who helped the unsure monarch overcome his stammer.
Director: Tom Hooper. Writer: David Seidler screenplay. Available on Amazon. Added to Watchlist. From metacritic.
British movies. Favorite Movies Movies Based on a True Story. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
Won 4 Oscars. Edit Cast Cast overview, first billed only: Colin Firth Lionel is summoned to Buckingham Palace to prepare the king for his speech.
Knowing the challenge that lies before him, Lang, Winston Churchill , and Prime Minister Neville Chamberlain are present to offer support. The King and Logue are then left in the broadcasting room.
He delivers his speech with Logue conducting him, but by the end he is speaking freely. Preparing to leave the room for the congratulations of those present, Logue mentions to the King that he still has difficulty enunciating w and the King jokes back, "I had to throw in a few so they'd know it was me.
As the Royal Family step onto the palace balcony and are applauded by the crowd, a title card explains that Logue, who received the Royal Victorian Order for service to the Crown, was always present at King George VI's speeches during the war and that they remained friends until the King's death from lung cancer in As a child, David Seidler developed a stammer, which he believes was caused by the emotional trauma of World War II and the murder of his grandparents during the Holocaust.
King George VI's success in overcoming his stammer inspired the young Seidler, "Here was a stutterer who was a king and had to give radio speeches where everyone was listening to every syllable he uttered, and yet did so with passion and intensity.
During the late s and s he voraciously researched the King, but found a dearth of information on Logue. Eventually Seidler contacted Valentine Logue, who agreed to discuss his father and make his notebooks available if the Queen Mother gave her permission.
She asked him not to do so in her lifetime, and Seidler halted the project. The Queen Mother died in Three years later, Seidler returned to the story during a bout of creative work inspired by a recovery from cancer.
His research, including a chance encounter with an uncle whom Logue had treated, indicated he used mechanical breathing exercises combined with psychological counselling to probe the underlying causes of the condition.
Thus prepared, Seidler imagined the sessions. He showed the finished screenplay to his wife, who liked it, but pronounced it too "seduced by cinematic technique".
She suggested he rewrite it as a stage play to focus on the essential relationship between the King and Logue. After he had completed it, he sent it to a few friends who worked in theatre in London and New York for feedback.
Lane started talking with Simon Egan and Gareth Unwin of Bedlam Productions , and they invited Seidler to London to rewrite the play again, this time for the screen.
Together, Lane and Bedlam Productions organised a reading of the play in Pleasance Theatre , a small house in north London, to a group of Australian expatriates, among whom was Tom Hooper 's mother.
She called her son and said, "I've found your next project". Instead of trying to contact his agent, Lane asked an Australian staff member to hand-deliver the script to Geoffrey Rush's house, not far away from hers in Melbourne.
Unwin reports that he received a four-page e-mail from Rush's manager admonishing them for the breach of etiquette, but ending with an invitation to discuss the project further.
If you hear the real speech, he's clearly coping with his stammer. But it's not a perfect performance. He's managing it. Hooper said some of the film's most memorable lines, such as at the climax, when Logue smiles and says, "You still stammered on the W" to the King, who replies, "I had to throw in a few so they would know it was me" were direct quotations from Logue's notes.
Once they met with Firth and heard him read for the part, Seidler and Hooper were convinced of his suitability for the role.
Most was shot in the three weeks before Christmas because Rush would be performing in a play in January. The schedule was further complicated by Bonham Carter's availability: she worked on Harry Potter during the week, so her scenes had to be filmed during the weekend.
To emphasise Logue's humble background, the entire street was transformed into one from s London. Large advertisements for among other things Bovril and fascism were added to walls, grit and grime to streets and buildings.
The production had asked for permission to film in the Abbey but were denied due to the demands of tourism. Its size allowed them to build sets showing not just the coronation, but the preparations before it.
The room, ornate and vast, met the occasion: the daunting nature of the new King's responsibilities was shown by surrounding him with rich detail, flags and royal portraiture.
The crew investigated Logue's former consultation rooms, but they were too small to film in. Instead, they found a high, vaulted room not far away in 33 Portland Place.
Eve Stewart, the production designer, liked the mottled, peeling wallpaper there so much that she recreated the effect throughout the entire room.
The scenes of the Duke of York at home with his family were also filmed here; showing the Prince living in a townhouse "subverted" expectations of a royal drama.
Elland Road was used for the speech elements of the prince stammering his way through his first public address, and Odsal Stadium was selected because of the resemblance of its curved ends to Wembley Stadium in They filled the terraces with inflatable dummies and over extras dressed in period costumes.
Live actors were interspersed to give the impression of a crowd. Additional people, as well as more ranks of soldiers on the pitch, were added in post-production with visual effects.
His sister, Kate Firth , also a professional voice coach to actors, proposed exercises the King might have done with Logue, and made suggestions on how to imagine Logue's mix of physical and psychological coaching for the film.
In addition, Firth watched archive footage of the King speaking. In an interview with Allan Tyrer published by the British Stammering Association , Swain said: "[It] was very interesting while we were working on the film just to think tonally how far we could go and should go with the strength of George's stammer.
I think a less courageous director than Tom [Hooper] — and indeed a less courageous actor than Colin [Firth] — might have felt the need to slightly sanitise the degree and authenticity of that stammer, and I'm really really pleased that neither of them did.
You find yourself doing it and if I start thinking about it the worse it gets. The film's original score was composed by Alexandre Desplat. In a film about a man struggling to articulate himself, Desplat was wary of overshadowing the dramaturgy: "This is a film about the sound of the voice.
Music has to deal with that. Music has to deal with silence. Music has to deal with time. The minimalist approach emphasises the protagonist's struggle for control.
The music rises to a climax in the coronation scene. To create a dated sound, the score was recorded on old microphones extracted from the EMI archives which had been specially made for the royal family.
When Desplat later joined the team to write the music, he praised and defended Anwar's suggestion. Hooper further remarked that the stature of the piece helps elevate the status of the speech to a public event.
The score also won a Grammy at the 54th Grammy Awards. All tracks are written by Alexandre Desplat , except where noted. Hooper employed a number of cinematic techniques to evoke the King's feelings of constriction.
He and cinematographer Danny Cohen used wider than normal lenses to photograph the film, typically 14mm, 18mm, 21mm, 25mm and 27mm, where the subtle distortion of the picture helps to convey the King's discomfort.
Roger Ebert noted that the majority of the film was shot indoors, where oblong sets, corridors, and small spaces manifest constriction and tightness, in contrast to the usual emphasis on sweep and majesty in historical dramas.
Hooper widened his scope first to capture Rush's gestures, then full body movements and silhouettes. The approach carried over to Firth as well.
In the first consultation scene, the Duke is squeezed against the end of a long couch framed against a large wall, "as if to use the arm of the sofa as a kind of friend, as a security blanket?
At other times, the camera was positioned very close to the actors to catch the emotion in their faces: "If you put a lens 6 inches from somebody's face, you get more emotion than if you're on a long lens 20 feet away," Cohen said in an interview.
Historical dramas traditionally tend to use "soft light", but Hooper wanted to use a harsher glare, which gives a more contemporary feel, and thus a greater emotional resonance.
To achieve the effect, the lighting team erected huge blackout tents over the Georgian buildings and used large lights filtered through Egyptian cotton.
Several events in the film did not happen, or were exaggerated. The visual blog Information is Beautiful deduced that, while taking creative licence into account, the film was The filmmakers not only tightened the chronology of the events to just a few years but even shifted the timeline of treatment.
The Duke of York actually began working with Logue in October , ten years before the abdication crisis , and the improvement in his speech was apparent in months rather than years as suggested by the film.
I give it every evening at dinner on board. This does not worry me any more. Robert Logue, a grandson of Lionel, doubted the film's depiction of the speech therapist, stating "I don't think he ever swore in front of the King and he certainly never called him 'Bertie'".
Hugo Vickers, an adviser on the film, agreed that the alteration of historical details to preserve the essence of the dramatic story was sometimes necessary.
The high-ranking officials, for instance, would not have been present when the King made his speech, nor would Churchill have been involved at any level, "but the average viewer knows who Churchill is; he doesn't know who Lord Halifax and Sir Samuel Hoare are.
Hitchens and Chotiner also challenged the film's portrayal of Winston Churchill's role in the abdication crisis.
In a smart, well-made film "would the true story not have been fractionally more interesting for the audience?
Martin Filler acknowledged that the film legitimately used artistic licence to make valid dramatic points, such as in the probably imagined scene when George V lectures his son on the importance of broadcasting.
Filler cautions that George VI would never have tolerated Logue addressing him casually, nor swearing, and the King almost certainly would have understood a newsreel of Hitler speaking in German.
Filler makes the larger point that both the King and his wife were, in reality, lukewarm towards Churchill because of the latter's support for his brother during the abdication crisis.
It was distributed by Wild Bunch Distribution. The film was initially given a 15 certificate by the British Board of Film Classification , due to a minute-long scene where Logue encourages the King to shout profanities, which he could do without stuttering.
At the London Film Festival, Hooper criticised the decision, questioning how the board could certify the film "15" for bad language but allow films such as Salt and Casino Royale to have "12A" ratings, despite their graphic torture scenes.
Following Hooper's criticism, the board lowered the rating to "12A", allowing children under 12 years of age to see the film if they are accompanied by an adult.
In January Harvey Weinstein , the executive producer and distributor, said he was considering having the film re-edited to remove some profanity, so that it would receive a lower classification and reach a larger audience.
Helena Bonham Carter also defended the film, saying, "[The film] is not violent. It's full of humanity and wit. In Great Britain and Ireland , the film was the highest earning film on its opening weekend.
It holds the record for the highest per-cinema gross of The executive director of Palace Cinemas , Benjamin Zeccola, said customer feedback on the film was spectacular.
I think this is more successful than Slumdog Millionaire and a more uplifting film. It's a good example of a film that started out in the independent cinemas and then spread to the mainstream cinemas.
The remaining profit was to be split equally between the producers and the equity investors. In March Variety estimated that the return could be between fifteen and twenty times that.
The Council's merger into the British Film Institute means that the profits were to be returned to that body.
The King's Speech has received widespread critical acclaim, with Firth's performance receiving universal praise. The website's critical consensus reads: "Colin Firth gives a masterful performance in The King's Speech , a predictable but stylishly produced and rousing period drama.
Manohla Dargis , whilst generally ambivalent towards the film, called the lead performances one of its principal attractions.
Firth and Mr. Rush rise to the acting occasion by twinkling and growling as their characters warily circle each other before settling into the therapeutic swing of things and unknowingly preparing for the big speech that partly gives the film its title," she wrote.
The British Stammering Association welcomed the release of The King's Speech , congratulating the film makers on their "realistic depiction of the frustration and the fear of speaking faced by people who stammer on a daily basis.
It said that, though the film swept British appeasement under the carpet, it was still enjoyable. The Sun newspaper reported she had watched the film in a private screening at Sandringham House.
A palace source described her reaction as being "touched by a moving portrayal of her father". The film had received 12 Oscar nominations, more than any other film in that year.
The film won no other Golden Globes, despite earning seven nominations, more than any other film. From Wikipedia, the free encyclopedia.
This article is about the film. For the stage play based on the film, see The King's Speech play. For other uses, see King's speech. British cinema release poster.
Momentum Pictures The Weinstein Company. Release date. Running time. United Kingdom [2] Australia [3].
Alexandre Desplat. As the actor of the year in the film of the year, I can't think of enough adjectives to praise Firth properly.
The King's Speech has left me speechless. Main article: List of awards and nominations received by The King's Speech.
British Board of Film Classification. Archived from the original on 2 March Retrieved 17 September British Film Institute.
Retrieved 13 June BBC News. Retrieved 28 February The Guardian. Box Office Mojo. Retrieved 20 May Retrieved 2 March The Daily Telegraph.
Retrieved 2 February The Independent. Retrieved 20 August Retrieved 8 January San Francisco Chronicle. Retrieved 2 September
Nach meinem ist das Thema sehr interessant. Geben Sie mit Ihnen wir werden in PM umgehen.
Fast selb.
Ich meine, dass Sie sich irren. Ich kann die Position verteidigen. Schreiben Sie mir in PM.