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Wireless Video Streaming! A Hollyland Mars 300 Pro Review.Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Please try again later.
Verified Purchase. It has such bad writing at times- the narration is not good- the feminist elements are a bit tiresome and cliche and obvious to spot- but Lena whats-her-name is perfect, and I never ever tire of going back over and over to watch Gerard Butler and his fellow homogeneous soldiers fight the heterogeneous elements of empire building and the Persian Empire.
Yeah, yeah, I know Spartans - despite having fairly liberated women and a fairly liberated society although engaged in infanticide also had helots weren't they called?
Very satisfying to watch men be men, and this movie would never, ever, ever be made today. If it was, the Spartans would miraculously become a heterogeneous society where multiculturalism existed- and the Persians wouldn't be decadent with malformed people and ultra-feminized 'men'.
It would never, ever be made today. A classic. A film that can be watched over and over. Good story, but great cinematography.
It gives the feel of being in a storybook or fable because the atmosphere feels surreal. The original is much better than the second version of the series.
A Perfect Nazi Movie! First of all, Black Slavery was just invented by Colonial Europe in the era from to and most Ancient Slaveries was mostly White, and the word Slave itself is derived from Slav or Slavic people who are still living in Eastern Europe and Russia and parts of the Middle East.
Also, notice how the movie depicts deformed people, like the "hunchbacked traitor" and the fighting Monster in the Persian Army.
The movie depicts Xerxes as a beardless shaven clean face, and with pierced noses and face, surrounded by Lesbian Women. If Hitler was alive, he would have loved this movie!
I actually enjoyed this movie very much. I hadn't watched it until I ordered this DVD on a whim because it got such luke warm reviews.
But, I concluded those critics and even some of our friends simply watched a different movie than I did.
I never saw any plot miscues nor anything that wasn't at least in the mythos of what precious little actually exists of the Spartanhistorical narrative.
I can appreciate that scholars of Ancient Greece maintain things just didn't unfold that way but the Spartans told themselves they did and that's what this production was based on.
How is that different from more than one Flood account in the Old Testament? Or the Exodus that archeologists and scholars are still making entire careers out of arguing about?
So full of slo-mo CGI, bloodless flying blood, and grotesque men and beasts, plays like a grisly animated feature. Silly beyond bounds, with a total lack of historicity, this is a really bad movie.
Poor Gerard Butler! Could not finish. Yet Fantastic. This film is extremely stylistic, with a heavy use of green screen to simulate dramatic lighting and employ heavy amounts of CGI there are plenty of ridiculous CGI blood splatters that simply vanish into thin air.
Everyone in the film, even the Spartan politicians, is about as physically toned as is possible for a human, and the Spartans forsake battle armor to show off their hairless sculpted torsos.
It's completely over-the-top. It seems like an homage to masculinity. And yet, as much as I want to laugh at it and dismiss it as stupid fun which is easily done with the sequel, Rise of an Empire , this is actually an excellent film with some amount of depth to it.
No, King Leonidas probably didn't fight a giant CGI wolf as a boy, but this film is extremely successful in conveying the mindset of the ancients--their perceptions of an enemy, their need for honor and glory, their dedication to their nations, their struggle to understand the world around them, and their devotion to camaraderie and brotherhood.
As the film portrays, this ancient mindset was often forged in conjunction with death, battle, and sacrifice.
The style used in this film helps, rather than hinders, the conveyance of an ancient Spartan worldview. That the movie managed to convey these themes while being entertaining, quotable, heavily stylized, and overall cheesily awesome is what makes it a success.
Thermopylae or the Hot Gates was a pass in the mountains where a small force could hold up a much large number of opponents.
The movie begins with an almost fetishized version of the Spartan warrior culture where children are taken at a young age and taught about fighting and violence.
This builds up the myth of the Spartan fighting men who will be the stars of the story. They are portrayed as proud, strong, and standing for freedom, while the Persians are shown as blood thirsty imperialists.
For instance, Leonidas and his men come across a village that was massacred by the Persians and all the dead bodies strewn across a tree.
Later the Spartans will face monster and giant beasts at the hot gates as well. The Spartans were democracy and civilization versus the Persians who were oppression and empire.
This is called Orientalism view where the West Spartans are always portrayed as good and the East Persians are bad. See all reviews. Top reviews from other countries.
This reminds me greatly of some of the adrenal novels by David Gemmell. I could watch this again at pretty much any time.
Report abuse. Adapted from the book by Frank Miller, this is a modern retelling of the Battle of Thermopylae of BC, when the , strong invading Persian Army of King Xerxes was held back in a narrow mountain pass by Spartans.
Rejecting the proposal, the battle ensues, and the Spartans are only defeated by the treachery of a local shepherd Ephialtes [Andrew Tiernan], who shows the Persians a secret route, enabling them to outflank their opponents.
Due to inherent differences between the two mediums, inevitably major chunks of the source material get left out, to varying results.
Perhaps that's why Hollywood has seen so much success with its adaptations of graphic novels in recent years. With their thin text, and their bold, image-driven narrative style, even the most niche graphic novels are arguably more camera-ready than your typical best-seller.
And with recent advances in CGI, there's no limit to how fantastic the images in these novels may be in fact, if box office receipts are any indication, the more outrageous the imagery, the better.
For these reasons alone, in retrospect, it really should not have surprised me that '' turned into the sleeper blockbuster of The original graphic novel, sprung from the mind of Frank Miller 'Sin City' and 'The Dark Knight,' and is like 'Gladiator' on steroids and seemingly tailor-made to get blown up to mega-screen proportions.
Using every trick of the modern cinema trade to not only bring Frank Miller's comic book panels to life, but to elevate them even further to the level of pop culture myth.
The characters were only thinly sketched-out in the graphic novel, and they're only slightly more embellished in Zack Snyder's vision.
King Leonidas [Gerard Butler] is the ostensible hero, has dreamed his entire life of defeating the Persians. He gets his chance after a group of arrogant messengers from the Persian army arrive in Sparta, offering its people the choice between surrender and death.
Leonidas has the messengers slaughtered, and decides to amass his strong army at Thermopylae pass, that has a narrow corridor between the steep cliffs of the Aegean Sea.
The plan is to limit the Persians' access, thereby making their massive numbers meaningless. As they come through the pass, Leonidas and his army will clobber them, one by one.
And so the stage is set for ''s almost non-stop second act cavalcade of phantasmagorical violence, bone-crushing gore and CGI wizardry.
Miller turned his Persian warriors into a bizarre, surreal stew of iconic archetypes from deformed warriors to bizarre African animals, raging wizards to the elite guard of the Immortals, complete with scary death masks right out of a 'Texas Chainsaw Massacre' film.
Zack Snyder both plays up the fantastical while also stripping the imagery down to its bare essentials. It's all heaving bare flesh, strategically-placed costume details, and bold, digitally drawn-in backgrounds.
Upon its cinema release, reviewers levelled a number of criticisms at '': some said that it was gratuitously violent; others felt that its characters were paper thin to the point of abstraction; and still others felt that it was either the most homoerotic mainstream film ever made or the most misogynist.
But while each of these concerns is certainly valid, ultimately they all get crushed under the sheer thrill of Zack Snyder and Frank Miller's bombast spectacle.
Simply put it, I feel Zack Snyder did a brilliant job and should be totally proud of his work. But at its heart, it's a story of people.
People coming together to fight a common enemy, people with a purpose. It's not about a presumptuous king sending his armies to fight faceless men who hide in caves.
This is a story about people who, when annihilation is brought to their doorstep, did the brave thing, against all odds, and won a greater victory than any single military mission could ever have brought them.
By fighting for their lands and their brethren, they found glory. As such, this high-definition presentation of '' is predictably flat, with most detail drained from the shadows and highlights lost in a blaze of hot whites.
Even exaggerated textures, such as extreme close-ups of flesh, rocky surfaces, etc. Colours are intentionally muted, with an almost sepia-toned hue that turns flesh tones into copper and eliminates much of the colour spectrum except for deeper blues and browns.
Adding to the film's 2D feel is the fact that the majority of the backgrounds are animated, with the live action shot in front of a blue screen.
Finally, a computer-generated "film grain" has been added to the mix, which gives the image a final coating of jumpiness, with obvious noise in every shot.
Yet, despite all this intentional degradation, there is also an undeniable beauty to the rough grandeur of ''s visuals. Sort of like a PIXAR animation on steroids, and the crushed look Zack Snyder intended gives many of the shots great power because they are so simple and exactly like comic book panels come to life.
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Maar is toch een heel stuk vermakelijker dan ik dacht. Inhoudelijk is het verre van bijzonder en je verwacht dat een film met voornamelijk actiesequenties erg leeg voelt, maar is tot de nok toe gevuld met vorm en dat compenseert hier wel.
Ik had verwacht dat een CGI feest van twaalf jaar geleden vrij gedateerd zou aanvoelen, maar het ziet er nog steeds verrekte goed uit. Na zijn regiedebuut Dawn of the Dead kan Zack Snyder hier helemaal los met slow-motions en versnellingen en extreme kleuren.
Stijlelementen die in zijn latere superheldenfilms maar mager werken, komen hier perfect tot hun recht. Je zou aan de muur kunnen hangen en je hebt een schilderij van anderhalf uur.
Een uiterst gewelddadig schilderij, dat wel. Het werkt ook bevorderlijk in een film als dit dat niet alle personages maar inwisselbare figuren zijn.
Heel veel diepgang hoef je niet van deze personages te verwachten, maar ik verbaasde me dat ik niet de hele film zat te denken 'wie is dat nu ook alweer?
Wel weer een matige keuze dat men juist voor de rol van de verteller voor David Wenham kiest, de man die altijd klinkt alsof z'n neus enorm verstopt zit.
Op de iets te serieuze momenten wordt de film ook meteen een tikkeltje kitscherig. Er zijn mensen die vinden dat deze film een non-stop reclame voor de Spartanen is.
Maar dat zou dan toch ook betekenen dat lord of the rings reclame is voor een juwelier en star wars reclame voor rood en blauwe ledlampen? Wat mij betreft is het alle drie onzin.
Als ze dat hadden weggelaten was het een van mijn favoriete films geweest. Irritante dictie heeft die Butler. Misschien kunnen de Perzen bij een volgende keer hem in een diep gat trappen.
Brave amateurs. They do their part. Ja, Zack Snyder dus, en waarom deze film beter scoort dan Watchmen en Dawn of the dead vind ik een behoorlijke vraag.
Begrijp me goed, is een spectaculaire visueel orgasme, maar meer ook eigenlijk niet terwijl de twee andere films ook nog iets qua verhaal en karakter te bieden hebben.
Maar goed, het gaat hier nu eenmaal over Een verhaal dat er geen doekjes om wind, gebasseerd is op een echte gespeelde strijd tussen Xerxes en Leonidas en op die strategische locatie.
Terecht ook aangemerkt op wikipedia bijvoorbeeld dat Koning Leonidas 1 beroemd werd wegens deze slag. Een cast overigens die prima bij elkaar gezocht is en het prima doet in de vorm van Butler, Santoro, Wenhem, Fassbender en Headey.
De stijl, cinematografie, muziek en montage is met veel zorg en kunde gedaan en vooral tijdens de gevechten baart de montage opzien in positieve zin.
Zoals gezegd, de aangedikte kleuren, aankleding, stalen lichamen De film betrapt zich qua dialoog en ontwikkeling op weinig vernieuwende dingen en vooral die gebrulde oneliners van Butler worden op den duur toch te eentonig.
Het gebrek aan diepte en een iets meer inhoudelijkere dialoog laat zich dan toch voelen en doet dat overigens wat mij betreft vanaf het begin dat van dreiging, hardheid, wapengekletter en compromisloos gedrag aan elkaar hangt.
Qua verhaal en dialoog is het in die zin te weinig en qua flinkheid too much. Daarom verbaasd het me dan ook dat eerder genoemde films minder beoordeeld worden ten opzichte van deze terwijl dat die qua verhaal, dialoog en acteren veel meer te bieden hebben, Maar afijn, , vermakelijke pulp om het zomaar te zeggen, maar meer ook niet.
Na jaren weer eens gezien. Het ziet er allemaal mooi en strak uit. In de bioscoop kwam de film wel wat intenser over dan thuis op dvd.
Toch blijft het ook een beetje een lichte homo erotische film. Met al die blote mannen, gespierde lichamen, stoere baarden en kleine broekjes.
De mannen zien er goed en getraind uit. Dus niks mis mee. Het verhaal is verder simpel en dom. Allemaal maar vechten, vechten en nog eens vechten! En voor wat?
Een stukje land? De mens is maar een barbaars en lelijk wezen. Gelukkig niet altijd, maar vaak wel. Ik behoor wellicht tot de weinigen die dit maar niets vond.
Het is inderdaad niet mijn genre film. Zoals zo vaak en ook hier al aangestipt inhoudelijk niet bijzonder, flauw zelfs. Weinig verhaal, weinig diepgang Ook in tegenstelling tot velen vond ik het visueel ook niet echt mooi.
Die wolf, de Perzen, zelfs de Spartanen De slag bij Artemisium staat erin centraal. Uit Wikipedia, de vrije encyclopedie.
Geraadpleegd op 19 mei Verborgen categorie: Wikipedia:Geen afbeelding lokaal en geen op Wikidata. Naamruimten Artikel Overleg. Weergaven Lezen Bewerken Brontekst bewerken Geschiedenis.
Gebruikersportaal Snelcursus Hulp en contact Donaties. Links naar deze pagina Verwante wijzigingen Bestand uploaden Speciale pagina's Permanente koppeling Paginagegevens Deze pagina citeren Wikidata-item.
Wikimedia Commons. Filmposter op en. Warner Bros. Verenigde Staten. Butler, Gerard Gerard Butler. Headey, Lena Lena Headey.
Wenham, David David Wenham. West, Dominic Dominic West. Santoro, Rodrigo Rodrigo Santoro.
Better Than Sex. Nazis waren schlecht 2. Leserreisen Expedia-Gutscheine Griechenland — das authentische Reiseziel. Wer Kritiken schreibt - sollte nicht versuchen - Dumm-Phöny nach zu machen und Filme nicht nach persönlicher Meinung beurteilen. Interessant ausserdem das Joachim Kurz nicht House Of Lies das nach der Premiere in Berlin minutenlange standing ovations folgten Bestes Beispiel D.
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