Chloe [dt./OV]. ()IMDb 6,31 Std. 33 MinX-Ray Catherine und David, sie Und so geht es auch den in diesem Film dargestellten Personen. Ob die. Die Film hat bei mir etwas geschafft, was nur wenige Filme bisher geschafft haben. Er hat mich mitgenommen und berührt. Und das ist auf jeden Fall den beiden. In Atom Egoyans Chloe engagiert Julianne Moore ein Callgirl, um ihren Mann, Liam Neeson, auf die Probe zu stellen. Das hat allerdings ungeahnte Fol.
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Catherine ist eine erfolgreiche Ärztin und schon lange glücklich mit dem attraktiven Musikprofessor David verheiratet. Um die Treue ihres Mannes zu testen, heuert sie die betörende Chloe an, ein Luxus-Callgirl. Chloe berichtet bald von ihren. Chloe ist ein US-amerikanisch-kanadisch-französischer Erotikthriller von Atom Egoyan aus dem Jahr Es handelt sich um eine Neuverfilmung des. Das Luxuscallgirl Chloe zieht die Ärztin Catherine in einen Strudel aus Eifersucht und Lust. Spielfilm USA/Kanada/Frankreich Catherine. Der von Atom Egoyan inszenierte Film, der am April in den Trailer. Catherine (Julianne Moore) heuert die Prostiuierte Chloe (Amandy Seyfried) an. Chloe - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | katkinshop.eu Allerdings kommt einem der Film ohnehin schon bekannt vor, denn er ist ein Remake des französischen Films Nathalie – Wen liebst Du heute. In Atom Egoyans Chloe engagiert Julianne Moore ein Callgirl, um ihren Mann, Liam Neeson, auf die Probe zu stellen. Das hat allerdings ungeahnte Fol.
Das Luxuscallgirl Chloe zieht die Ärztin Catherine in einen Strudel aus Eifersucht und Lust. Spielfilm USA/Kanada/Frankreich Catherine. Catherine ist eine erfolgreiche Ärztin und schon lange glücklich mit dem attraktiven Musikprofessor David verheiratet. Um die Treue ihres Mannes zu testen, heuert sie die betörende Chloe an, ein Luxus-Callgirl. Chloe berichtet bald von ihren. Chloe [dt./OV]. ()IMDb 6,31 Std. 33 MinX-Ray Catherine und David, sie Und so geht es auch den in diesem Film dargestellten Personen. Ob die.
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While at work Catherine observes Chloe entering and exiting hotels with several men so she can make a pretty good guess at Chloe's profession.
Catherine decides to use Chloe as bait to see if her husband would submit to the temptation of an affair with Chloe. And even though that is the basic storyline, there is so much more that is left unsaid; things Catherine thinks she knows but doesn't know about her husband, things Chloe knows about Catherine that Catherine herself doesn't even know; and in the middle of it all, the viewer who finds out we didn't know much at all about it all.
The audience is pretty much kept in the dark as to what is really going on with Chloe until one small scene that immediately switches the direction of the movie.
It's not one of those hokey melodramatic twists, but will definitely have you playing back the entire movie in your mind because it sheds everything in a new light.
Chloe brags at the beginning of the film, in a voice-over narration, that she has the gift of intuiting what people want and need without it being said.
She can be all things to all people. And unfortunately for Julianne Moore's character, Chloe is exactly right What makes this movie good is that it has layers.
Just as in real life, people are inevitably much different than what they appear to be on the surface. In a lesser film, the characters and plot would be one-dimensional and by far less interesting.
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Suspecting her husband of infidelity, gynecologist Dr. Catherine Stewart hires an escort named Chloe in order to test his faithfulness.
Soon, the relationships between all three intensify. Director: Atom Egoyan. Watch on Prime Video included with Prime. Added to Watchlist. From metacritic.
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Chloe Critics Consensus Despite its promising pedigree and a titillating premise, Chloe ultimately fails to deliver the heat -- or the thrills -- expected of a sexual thriller.
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How did you buy your ticket? View All Photos Movie Info. Catherine and David Stewart Julianne Moore, Liam Neeson are a well-to-do couple living in a posh area of Toronto, but all is not well in paradise.
Catherine suspects that David, a music professor, is cheating on her with his students. She hires a prostitute named Chloe Amanda Seyfried to meet David and see if he gives in to temptation, but events spin out of control when Chloe spills the details of her torrid encounters.
Atom Egoyan. Erin Cressida Wilson. Apr 16, StudioCanal, Montecito Picture Company. Julianne Moore Catherine. Liam Neeson David. Amanda Seyfried Chloe.
Max Thieriot Michael. Thomson Frank. Nina Dobrev Anna. Julie Khaner Bimsy. Natalie Lisinska Eliza. Atom Egoyan Director.
Erin Cressida Wilson Screenwriter. Ivan Reitman Producer. Daniel Dubiecki Producer. Tom Pollock Producer. Ronald Halpern Producer.
Olivier Courson Producer. Paul Sarossy Cinematographer. Susan Shipton Film Editor. Mychael Danna Original Music. January 13, Full Review….
October 13, Full Review…. March 31, Rating: 2. September 5, Rating: 2. January 23, Full Review…. August 5, Rating: 2. July 23, Full Review…. View All Critic Reviews Dec 25, Perhaps it should have been called Fatal Attraction 2, since despite his assured direction Egoyan doesn't seem to realize how incredibly predictable his movie is, with a silly plot that also defies credibility especially regarding the actions of Julianne Moore's character.
Carlos M Super Reviewer. Sep 21, We all have those actors we never really manage to click with, whom most likely have some kind of obvious promise and talent but just don't sit well with us and mine has always been Seyfried.
I just don't like her, I think she's overrated. Chloe however is underrated as I hadn't ever heard the name of the film before, even though the actors involved such as Liam Neeson and Julianne Moore are household names.
It wouldn't appeal to everyone, the film isn't funny, scary, thrilling or anything as such but its an intricate character piece and is more or less fascinating to experience.
There's a heavy amount of character development throughout which always prompts perspective of a benevolent director, he knows what the audience wants and promises something we only receive ten minutes before the end.
Unfortunately for Egoyan's audience, it's slightly anti- climactic and we're left with plenty of unanswered questions.
The acting is fantastic, really. Even from Amanda Seyfried who I've already mentioned as usually managing to turn me off from a film, but even her I found to be effortless and cool in the delivery of the title character.
The chemistry between Moore, Neeson and Seyfried is taut, real and memorably erotic. Unfortunately overall, I wouldn't clamber to watch it again but I did find it enjoyable and stimulating for the duration.
Harry W Super Reviewer. Feb 07, Marital cheating is re-defined in Chloe, the story of a young femme fatale's obsession with a dysfunctional family.
This was the breakout film for Amanda Seyfried, in the title role. It's a good story of sex, manipulation, with even some dark psychological noir thrown in.
Featuring an excellent cast, Chloe is emotional and rich with sexual tension. I liked this more than Fatal Attraction; it is admittedly uneven yet nonetheless diabolical.
Julianne Moore is really spectacular. She's gynecologist who writes this stuff? Moore is one of my favorite actresses; she carries off more diverse roles than anyone.
While I enjoyed several aspects of Egoyan's direction, the film had "B" movie flashes as well. I didn't like the ending at all; it didn't ring true and was kind of anti-climactic.
Enjoy it for what it is, sexy and dangerous. Clintus M Super Reviewer. Sep 05, Moretz is nowhere to be found. Cursing like a sailor and simulating violent killings are bad enough, but an erotic thriller, now, that's reserved for the grown-ups, particularly Amanda Seyfried, who, of course, pumps up the intrigue in this thriller, at least for the guys.
Now, Julianne Moore's Catherine Stewart character is just not being fair here, because if she wanted to hire a prostitute to simply make sure that her husband isn't easily tempted, then she probably shouldn't have gotten a chick who could successfully seduce year-old, good old Italian gay Franco Zeffirelli, or at least one who didn't an immensely more attractive figure, complexion, bone structure, pair of lips I say, "more" as though Moore actually does have lips and, well, pair of eyes.
Jeez, not even Moore's eyes are as pretty as Seyfried's Hey, they're beautiful, you've just got to see them at a certain, less pronounced angle , and we're supposed to feel some kind of shame on Moore's character's husband for having an affair?
Wow, that didn't really help my stance against the aggravating female opinion that men are pigs, but hey, as awesome as Liam Neeson is, he has earned himself as pretty a girl as he can get, and I'm sure you will all agree with me on that, what handful of people there are out there who actually saw this film.
No, this film is reasonably popular, but they have no problem boasting that this is Atom Egoyan's highest-grossing film, even though it made its budget back by a hair, which is shocking, considering that it features some pretty big-name talents, as well as Amanda Seyfried naked.
Well, to be fair, if I was going to see this in the cinemas, it would have to be a pretty impressive thriller, something that it is not, being decent and all, but not without shortcomings, even natural ones.
There is certainly a fair deal of juiciness to this erotic thriller, some of which is flavored up by a hint of uniqueness, but really, this is a pretty minimalist dramatic thriller, whose thin spells are glaring, or are at least made glaring by hiccups in atmospheric compensation for limitations in kick, as well as by hiccups in the aforementioned degree of uniqueness.
There are, in fact, more than a few refreshing beats to reinforce a certain unpredictability to this erotic thriller, but that just makes the conventional occasions harder to deny, and it doesn't help that you're given a touch too much time to think about the issues in storytelling.
Running about 96 minutes, this film isn't that long, but then again, it doesn't really have a whole lot to say, so it takes its sweet time, bloating itself with repetitiously excess material that drags things along, until steam that conceptually drives this drama starts to die down, eventually into a bit of aimlessness.
Of course, the film might very well just feel aimless because, on top of dragging its length out, this film boasts an atmosphere which drags its feet, for although the chill to Atom Egoyan's storytelling works on plenty of occasions, it just as often blands things up, betraying the core of this erotic thriller by cooling down some of the heat and watering down some of the thrills, occasionally to a dull point that obscures a sense of consequence to all of the dragging.